Artist By Imitation

“Venus of Urbino” - 1538
- Tiziano Vecellio (Titian)
- Oil on canvas
From the “Manet: Return to Venice” exhibition at the Palazzo Ducale, Venice, 15/06/2013. View Larger

“Venus of Urbino” - 1538

- Tiziano Vecellio (Titian)

- Oil on canvas

From the “Manet: Return to Venice” exhibition at the Palazzo Ducale, Venice, 15/06/2013.


“Assumption of the Virgin (Assunta)” - 1518
- Tiziano Vecellio (Titian) (1490 ca. - 1576)
- Oil on panel
Located in the Basilica di Santa Maria Gloriosa dei Frari, Venice. View Larger

“Assumption of the Virgin (Assunta)” - 1518

- Tiziano Vecellio (Titian) (1490 ca. - 1576)

- Oil on panel

Located in the Basilica di Santa Maria Gloriosa dei Frari, Venice.


“The Venus of Lespugue” - c. 23,000 years old
- Lespugue cave, Haute-Garonne, France
“The Lion Man” - c. 40,000 years old
- Stadel cave, Baden-Württemberg, Germany
From the “Ice age art: arrival of the modern mind” exhibition at the British Museum, 30/04/2013.“The Venus of Lespugue” - c. 23,000 years old
- Lespugue cave, Haute-Garonne, France
“The Lion Man” - c. 40,000 years old
- Stadel cave, Baden-Württemberg, Germany
From the “Ice age art: arrival of the modern mind” exhibition at the British Museum, 30/04/2013.

“The Venus of Lespugue” - c. 23,000 years old

- Lespugue cave, Haute-Garonne, France

“The Lion Man” - c. 40,000 years old

- Stadel cave, Baden-Württemberg, Germany

From the “Ice age art: arrival of the modern mind” exhibition at the British Museum, 30/04/2013.


“Immaculate Conception” - about 1574-5
- Federico Barocci (about 1533-1612)
- Oil (over goauche) on canvas
“Head study for Saint John the Evangelist”
- Federico Barocci (about 1533-1612)
- Oil on paper lined with linen
From the “Barocci: Brilliance and Grace” exhibition at the National Gallery, 17/04/2013.“Immaculate Conception” - about 1574-5
- Federico Barocci (about 1533-1612)
- Oil (over goauche) on canvas
“Head study for Saint John the Evangelist”
- Federico Barocci (about 1533-1612)
- Oil on paper lined with linen
From the “Barocci: Brilliance and Grace” exhibition at the National Gallery, 17/04/2013.

“Immaculate Conception” - about 1574-5

- Federico Barocci (about 1533-1612)

- Oil (over goauche) on canvas

“Head study for Saint John the Evangelist”

- Federico Barocci (about 1533-1612)

- Oil on paper lined with linen

From the “Barocci: Brilliance and Grace” exhibition at the National Gallery, 17/04/2013.


“Self-portrait” - 1878-79
- Edouard Manet (1832-83)
- Oil on canvas
- Not exhibited in the artist’s lifetime
“Music in the Tuileries Gardens” - 1862
- Edouard Manet (1832-83)
- Oil on canvas
From the “Manet: Portraying Life” exhibition at the Royal Academy of Arts, 09/04/2013.“Self-portrait” - 1878-79
- Edouard Manet (1832-83)
- Oil on canvas
- Not exhibited in the artist’s lifetime
“Music in the Tuileries Gardens” - 1862
- Edouard Manet (1832-83)
- Oil on canvas
From the “Manet: Portraying Life” exhibition at the Royal Academy of Arts, 09/04/2013.

“Self-portrait” - 1878-79

- Edouard Manet (1832-83)

- Oil on canvas

- Not exhibited in the artist’s lifetime

“Music in the Tuileries Gardens” - 1862

- Edouard Manet (1832-83)

- Oil on canvas

From the “Manet: Portraying Life” exhibition at the Royal Academy of Arts, 09/04/2013.


“Le Violon d’Ingres” - 1924
- Man Ray (1890-1976)
“Solarised Portrait of Lee Miller” - c.1929
- Man Ray (1890-1976)
From the “Man Ray Portraits” exhibition at the National Portrait Gallery, 16/02/2013.“Le Violon d’Ingres” - 1924
- Man Ray (1890-1976)
“Solarised Portrait of Lee Miller” - c.1929
- Man Ray (1890-1976)
From the “Man Ray Portraits” exhibition at the National Portrait Gallery, 16/02/2013.

“Le Violon d’Ingres” - 1924

- Man Ray (1890-1976)

“Solarised Portrait of Lee Miller” - c.1929

- Man Ray (1890-1976)

From the “Man Ray Portraits” exhibition at the National Portrait Gallery, 16/02/2013.


“Transcircle” - 2004
- Mariko Mori
- Stone, corian, LED
“White Hole” - 2008-10
- Mariko Mori
- Acrylic, LED, steel
“Tom Na H-iu II” - 2006
- Mariko Mori
- Glass, stainless steel, LED
“Miracle” - 2001
- Mariko Mori
- Cibachrome prints, glass, crystal, metal, salt
“Ring” - 2012
- Mariko Mori
- Lucite
From the “Mariko Mori: Rebirth” exhibition at the Royal Academy of Arts, 10/01/2013.“Transcircle” - 2004
- Mariko Mori
- Stone, corian, LED
“White Hole” - 2008-10
- Mariko Mori
- Acrylic, LED, steel
“Tom Na H-iu II” - 2006
- Mariko Mori
- Glass, stainless steel, LED
“Miracle” - 2001
- Mariko Mori
- Cibachrome prints, glass, crystal, metal, salt
“Ring” - 2012
- Mariko Mori
- Lucite
From the “Mariko Mori: Rebirth” exhibition at the Royal Academy of Arts, 10/01/2013.“Transcircle” - 2004
- Mariko Mori
- Stone, corian, LED
“White Hole” - 2008-10
- Mariko Mori
- Acrylic, LED, steel
“Tom Na H-iu II” - 2006
- Mariko Mori
- Glass, stainless steel, LED
“Miracle” - 2001
- Mariko Mori
- Cibachrome prints, glass, crystal, metal, salt
“Ring” - 2012
- Mariko Mori
- Lucite
From the “Mariko Mori: Rebirth” exhibition at the Royal Academy of Arts, 10/01/2013.“Transcircle” - 2004
- Mariko Mori
- Stone, corian, LED
“White Hole” - 2008-10
- Mariko Mori
- Acrylic, LED, steel
“Tom Na H-iu II” - 2006
- Mariko Mori
- Glass, stainless steel, LED
“Miracle” - 2001
- Mariko Mori
- Cibachrome prints, glass, crystal, metal, salt
“Ring” - 2012
- Mariko Mori
- Lucite
From the “Mariko Mori: Rebirth” exhibition at the Royal Academy of Arts, 10/01/2013.“Transcircle” - 2004
- Mariko Mori
- Stone, corian, LED
“White Hole” - 2008-10
- Mariko Mori
- Acrylic, LED, steel
“Tom Na H-iu II” - 2006
- Mariko Mori
- Glass, stainless steel, LED
“Miracle” - 2001
- Mariko Mori
- Cibachrome prints, glass, crystal, metal, salt
“Ring” - 2012
- Mariko Mori
- Lucite
From the “Mariko Mori: Rebirth” exhibition at the Royal Academy of Arts, 10/01/2013.

“Transcircle” - 2004

- Mariko Mori

- Stone, corian, LED

“White Hole” - 2008-10

- Mariko Mori

- Acrylic, LED, steel

“Tom Na H-iu II” - 2006

- Mariko Mori

- Glass, stainless steel, LED

“Miracle” - 2001

- Mariko Mori

- Cibachrome prints, glass, crystal, metal, salt

“Ring” - 2012

- Mariko Mori

- Lucite

From the “Mariko Mori: Rebirth” exhibition at the Royal Academy of Arts, 10/01/2013.


“Romantic Landscape” - c.1783
- Thomas Gainsborough RA (1727-1788)
- Oil on canvas
- RA Inv. 03/1396
From the “Constable, Gainsborough, Turner and the Making of Landscape” exhibition at the Royal Academy of Arts, 09/01/2013. View Larger

“Romantic Landscape” - c.1783

- Thomas Gainsborough RA (1727-1788)

- Oil on canvas

- RA Inv. 03/1396

From the “Constable, Gainsborough, Turner and the Making of Landscape” exhibition at the Royal Academy of Arts, 09/01/2013.


“Keep Them Sweet” - 2010
- Maisie Broadhead (born 1980)
- Digital C-type print
- X7551
From the “Seduced by Art: Photography, Past and Present” exhibition at the National Gallery, 02/01/2013. View Larger

“Keep Them Sweet” - 2010

- Maisie Broadhead (born 1980)

- Digital C-type print

- X7551

From the “Seduced by Art: Photography, Past and Present” exhibition at the National Gallery, 02/01/2013.


“A Bigger Splash” - 1967
- David Hockney
- Acrylic paint on canvas
“Inhabited Painting (Pintura habitada)” X42184 - 1975
- Helena Almeida
- 3 paintings, acrylic paint on photographs on paper
From the “A Bigger Splash: Painting After Performance” exhibition at the Tate Modern, 17/12/2012.“A Bigger Splash” - 1967
- David Hockney
- Acrylic paint on canvas
“Inhabited Painting (Pintura habitada)” X42184 - 1975
- Helena Almeida
- 3 paintings, acrylic paint on photographs on paper
From the “A Bigger Splash: Painting After Performance” exhibition at the Tate Modern, 17/12/2012.

“A Bigger Splash” - 1967

- David Hockney

- Acrylic paint on canvas

“Inhabited Painting (Pintura habitada)” X42184 - 1975

- Helena Almeida

- 3 paintings, acrylic paint on photographs on paper

From the “A Bigger Splash: Painting After Performance” exhibition at the Tate Modern, 17/12/2012.


“New York” - 1954-55, printed 1995
- William Klein
- Photograph, gelatin silver print on paper
“Untitled (Abstract)” X43388 - 1963-64
- William Klein
- Paint on wooden panel
“Memory” X43069 - 2012
- Daido Moriyama
- Photograph, gelatin silver print on paper
From the “William Klein + Daido Moriyama” exhibition at the Tate Modern, 17/12/2012.“New York” - 1954-55, printed 1995
- William Klein
- Photograph, gelatin silver print on paper
“Untitled (Abstract)” X43388 - 1963-64
- William Klein
- Paint on wooden panel
“Memory” X43069 - 2012
- Daido Moriyama
- Photograph, gelatin silver print on paper
From the “William Klein + Daido Moriyama” exhibition at the Tate Modern, 17/12/2012.“New York” - 1954-55, printed 1995
- William Klein
- Photograph, gelatin silver print on paper
“Untitled (Abstract)” X43388 - 1963-64
- William Klein
- Paint on wooden panel
“Memory” X43069 - 2012
- Daido Moriyama
- Photograph, gelatin silver print on paper
From the “William Klein + Daido Moriyama” exhibition at the Tate Modern, 17/12/2012.

“New York” - 1954-55, printed 1995

- William Klein

- Photograph, gelatin silver print on paper

“Untitled (Abstract)” X43388 - 1963-64

- William Klein

- Paint on wooden panel

“Memory” X43069 - 2012

- Daido Moriyama

- Photograph, gelatin silver print on paper

From the “William Klein + Daido Moriyama” exhibition at the Tate Modern, 17/12/2012.


“La Donna Velata (The Woman with the Veil) - 1512-1518
- Raphael (1483-1520)
- Oil on canvas
“Le Grand Saint Michel (Saint Michael Vanquishing Satan)” - 1518
- Raphael (1483-1520)
- Oil on canvas
From the “Raphaël: Les Dernières Années (Late Raphael)” exhibition at the Musée du Louvre, 04/12/2012.“La Donna Velata (The Woman with the Veil) - 1512-1518
- Raphael (1483-1520)
- Oil on canvas
“Le Grand Saint Michel (Saint Michael Vanquishing Satan)” - 1518
- Raphael (1483-1520)
- Oil on canvas
From the “Raphaël: Les Dernières Années (Late Raphael)” exhibition at the Musée du Louvre, 04/12/2012.

“La Donna Velata (The Woman with the Veil) - 1512-1518

- Raphael (1483-1520)

- Oil on canvas

“Le Grand Saint Michel (Saint Michael Vanquishing Satan)” - 1518

- Raphael (1483-1520)

- Oil on canvas

From the “Raphaël: Les Dernières Années (Late Raphael)” exhibition at the Musée du Louvre, 04/12/2012.


“Perseus and Medusa” - 1844
- Bronze
- Benvenuto Cellini (1500-1571), cast by Clemente Papi (1802-1875)
“Portrait of a Painter” - 1954
- Bronze
- David Smith (1906-1965)
“Chimaera of Arezzo” - c. 400 BCE
- Bronze
- Etruscan
“Maiastra” - 1911
- Polished bronze on stone base
- Constantin Brancusi (1876-1957)
“Laocoön and His Sons” - c. 1690
- Bronze
- Francois Girardon (1628-1715)
From the “Bronze” exhibition at the Royal Academy of Arts, 03/11/2012“Perseus and Medusa” - 1844
- Bronze
- Benvenuto Cellini (1500-1571), cast by Clemente Papi (1802-1875)
“Portrait of a Painter” - 1954
- Bronze
- David Smith (1906-1965)
“Chimaera of Arezzo” - c. 400 BCE
- Bronze
- Etruscan
“Maiastra” - 1911
- Polished bronze on stone base
- Constantin Brancusi (1876-1957)
“Laocoön and His Sons” - c. 1690
- Bronze
- Francois Girardon (1628-1715)
From the “Bronze” exhibition at the Royal Academy of Arts, 03/11/2012“Perseus and Medusa” - 1844
- Bronze
- Benvenuto Cellini (1500-1571), cast by Clemente Papi (1802-1875)
“Portrait of a Painter” - 1954
- Bronze
- David Smith (1906-1965)
“Chimaera of Arezzo” - c. 400 BCE
- Bronze
- Etruscan
“Maiastra” - 1911
- Polished bronze on stone base
- Constantin Brancusi (1876-1957)
“Laocoön and His Sons” - c. 1690
- Bronze
- Francois Girardon (1628-1715)
From the “Bronze” exhibition at the Royal Academy of Arts, 03/11/2012“Perseus and Medusa” - 1844
- Bronze
- Benvenuto Cellini (1500-1571), cast by Clemente Papi (1802-1875)
“Portrait of a Painter” - 1954
- Bronze
- David Smith (1906-1965)
“Chimaera of Arezzo” - c. 400 BCE
- Bronze
- Etruscan
“Maiastra” - 1911
- Polished bronze on stone base
- Constantin Brancusi (1876-1957)
“Laocoön and His Sons” - c. 1690
- Bronze
- Francois Girardon (1628-1715)
From the “Bronze” exhibition at the Royal Academy of Arts, 03/11/2012“Perseus and Medusa” - 1844
- Bronze
- Benvenuto Cellini (1500-1571), cast by Clemente Papi (1802-1875)
“Portrait of a Painter” - 1954
- Bronze
- David Smith (1906-1965)
“Chimaera of Arezzo” - c. 400 BCE
- Bronze
- Etruscan
“Maiastra” - 1911
- Polished bronze on stone base
- Constantin Brancusi (1876-1957)
“Laocoön and His Sons” - c. 1690
- Bronze
- Francois Girardon (1628-1715)
From the “Bronze” exhibition at the Royal Academy of Arts, 03/11/2012

“Perseus and Medusa” - 1844

- Bronze

- Benvenuto Cellini (1500-1571), cast by Clemente Papi (1802-1875)

“Portrait of a Painter” - 1954

- Bronze

- David Smith (1906-1965)

“Chimaera of Arezzo” - c. 400 BCE

- Bronze

- Etruscan

“Maiastra” - 1911

- Polished bronze on stone base

- Constantin Brancusi (1876-1957)

“Laocoön and His Sons” - c. 1690

- Bronze

- Francois Girardon (1628-1715)

From the “Bronze” exhibition at the Royal Academy of Arts, 03/11/2012


“The Foetus in the Womb” - c.1511
- Leonardo da Vinci (1452-1519)
- Pen and ink with red chalk
From the “Leonardo da Vinci: Anatomist” exhibition at the Queen’s Gallery, 22/09/2012“The Foetus in the Womb” - c.1511
- Leonardo da Vinci (1452-1519)
- Pen and ink with red chalk
From the “Leonardo da Vinci: Anatomist” exhibition at the Queen’s Gallery, 22/09/2012

“The Foetus in the Womb” - c.1511

- Leonardo da Vinci (1452-1519)

- Pen and ink with red chalk

From the “Leonardo da Vinci: Anatomist” exhibition at the Queen’s Gallery, 22/09/2012


“A Box at the Theater (At the Concert)” - 1880
- Pierre-Auguste Renoir (1841-1919)
- Oil on canvas
From the “From Paris: A Taste for Impressionism, Paintings from the Clark” exhibition at the Royal Academy of Arts, 05/09/2012 View Larger

“A Box at the Theater (At the Concert)” - 1880

- Pierre-Auguste Renoir (1841-1919)

- Oil on canvas

From the “From Paris: A Taste for Impressionism, Paintings from the Clark” exhibition at the Royal Academy of Arts, 05/09/2012